Alice B. Woodward



Alice Bolingbroke Woodward, (1862-1951) was the illustrator of The Peter Pan Picture Book, the first translation of the hit play Peter Pan, or the Boy Who Wouldn't Grow Up to the published page, in 1907. As such, she was the first to visualize Peter and the other charcters for the public.

Early Life
She was born October 3, 1862 in Chelsea, London. Her father Henry Woodward, was an eminent scientist and the Keeper of Geology at the Natural History Museum. As a child, Alice was educated at home by governesses, along with her four sisters and two brothers (she was the fourth of seven). From a young age the children were encouraged to draw, with all of the sisters eventually becoming artists and all of the brothers becoming scientists. By her late teens, Alice was skilled enough to illustrate for her father's lectures and for the papers of his colleagues.

This allowed her to earn enough money to begin her studies at South Kensington School of Art, and later at the Westminster School of Art followed thereafter by the Académie Julian in Paris. She took lessons in illustration from Joseph Pennell and Maurice Greiffenhagen and her connection with Pennell led to commissions from J. M. Dent and Macmillan and Company to illustrate children's books. She also continued to illustrate for scientific work throughout her career. Alice Woodward died in 1951.

Illustration


Between 1896 and 1900, she did her best black and white work for the Glasgow publishing house, Blackie and Son Limited, illustrating a series of outstanding children's books including To Tell the King the Sky is Falling, Adventures in Toyland, and Red Apple and Silver Bells, as well as contributing to annuals and school primers through the 1920s. She also succeeded Aubrey Beardsley as illustrator of W.C. Jerrold's Bon-Mots of the Eighteenth Century, and then his Bon-Mots of the Nineteenth Century. From 1907 on, her main publisher was George Bell & Sons for whom she illustrated The Peter Pan Picture Book. For this, she created 28 coloured plates which are widely known, as the book has been continuously in print from 1907 to the present.



This project was followed by the stories of two Gilbert and Sullivan operas and even more children's books all with coloured illustrations. She also illustrated Lewis Carroll's beloved Alice's Adventures in Wonderland and Anna Sewell's classic Black Beauty. Amongst the last of her books was a volume of Myths and Legends of the Australian Aboriginals which she illustrated in 1930 when she was 68 years old. Alice also exhibited paintings (of scenes in Normandy and Norfolk) and designs for process reproduction at the 91 Art Club, a Chelsea club for women artists. Her work has appeared in over 80 publications including dinosaur reconstructions for the Illustrated London News.

To differentiate between her two different kinds of work, she signed all of her illustrations with a butterfly monogram, while in her scientific work she simply wrote her name.

Alice's illustrations have been compared to those of Arthur Rackham. Her scientific work was known for its accuracy and precision, a necessity in technical illustration. Her drawings were also always lifelike, whether it was a drawing of a specimen or a reconstruction of a prehistoric animal.

Her work is still in copyright in the European Union, until 2022 (70 years after her death).